The Song of the Trees
The Song of the Trees is the name given by the children of the forest to the living, singing memory of the earth, a concept that becomes a central, mystical element in the narrative of Bran Stark's journey beyond the Wall. It is not a literal song but the collective consciousness and history of the natural world, preserved within the weirwoods and sung by the children in their own language, the True Tongue, which no human can speak. This song represents a form of existence and knowledge that is fundamentally different from human history, one that is rooted in the land itself and stretches back to the dawn of time.
The Nature of the Song
The children of the forest, whom Bran meets in the cave of the Three-Eyed Crow, call themselves "those who sing the song of earth." Leaf, one of the children, explains that their true name in the True Tongue means precisely that. The song is not a performance but an expression of their being, a way of interacting with and remembering the world. When the children die, they do not simply vanish; they "go into the wood, into leaf and limb and root, and the trees remembered." This process makes the weirwoods the repositories of all their songs, spells, histories, and prayers. The trees themselves become the old gods, and the song is the continuous, living expression of that godhood. Jojen Reed explains this to Bran, contrasting the children's oral, arboreal memory with the written histories of men: "A reader lives a thousand lives before he dies," said Jojen. "The man who never reads lives only one. The singers of the forest had no books. No ink, no parchment, no written language. Instead they had the trees, and the weirwoods above all."
The Song as a Contrast to Human Experience
The Song of the Trees embodies a perspective of deep time and cyclical existence, standing in stark opposition to the linear, often violent, and short-sighted concerns of human politics and war. The children's songs are sad, not angry; they mourn the passing of their kind and the giants, but they do not seek vengeance. Bran observes this difference: "Men would not be sad. Men would be wroth. Men would hate and swear a bloody vengeance. The singers sing sad songs, where men would fight and kill." This contrast highlights the fundamental alienation of humanity from the natural world, a world that the children and the trees inhabit fully. The song is a lament for a world that is fading, a world of giants, direwolves, and the children themselves, all of whom are dwindling or gone. Leaf tells Bran, "In the world that men have made, there is no room for them, or us."
The Song and Bran's Transformation
For Bran, the Song of the Trees is both a destination and a process of becoming. The Three-Eyed Crow, the last greenseer, is the ultimate listener to this song, a being who has merged with the weirwood roots and lives on the cusp of the tree's timeless perception. Bran's journey is to learn to hear this song himself, to become a greenseer and join his consciousness to the weirwood network. The paste of weirwood seeds he consumes is the sacrament that awakens this ability, allowing him to slip his skin and see through the eyes of the heart trees, witnessing the past, present, and future as one. The song is the medium through which he will gain "a thousand eyes, a hundred skins, wisdom deep as the roots of ancient trees." It is the promise of a different kind of power and knowledge, one that transcends his broken body and the petty squabbles of the Seven Kingdoms, but also one that threatens to dissolve his individual identity into the vast, slow consciousness of the trees. The song is both his salvation and his potential dissolution, the ultimate expression of the old gods' power and the price of wielding it.